“Planes carrying nukes, the terrifying sound of life atomized into static noise: Unexploded Ordnances (UXO) feels very much of the minute” (New York Times). The legendary Split Britches return to Bristol with a performance exploring ageing, anxiety, and the end of the world.

In 1980s Bristol, a group of men came together to talk about sexism. What they gained from it, how they locked women out of their ranks – and why they needed to dismantle it. In this performance, Albert Potrony brings to life the fierce debate between anti-sexist men and feminists of the era. 

Every Sunday through Still I Rise, Arnolfini’s galleries will be transformed into a platform for groups of young, female street dancers – taking ownership of a space they are usually denied, in Young …